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Ekskluzivni Oldies Goldies
PETEK, 8.2.2013, AMBASADA GAVIOLI, IZOLA
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Dance lounge
UMEK
BiIZZY
VEZTAX
Mezzanine
SHARKASTIQUE TRIO
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Zgodovinska lekcija ob 20. obletnici profesionalnega ustvarjanja
Ljubljana, 8. februar 2013
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VSTOPNICE
ZLATA PTIČKA: 20 €
Omejena količina: 300 vstopnic
Začetek prodaje: 3. december 2012
Prodajno mesto: Booking Collegium Mondial Travel
Šmartinska 152, 1000 Ljubljana
MODRI DIRKAČ: 25 €
Omejena količina: 500 vstopnic
Začetek prodaje: 6. december 2012
Prodajna mesta: Vsa prodajna mesta Eventima; Petrol,
Pošta Slovenije, Big Bang, Kompas, Delo prodaja in [a]www.eventim.si[/a]
HRABRI MIŠEK: 30 €
Omejena količina: 800 vstopnic
Začetek prodaje: 16. december 2012
Prodajna mesta: Vsa prodajna mesta Eventima; Petrol,
Pošta Slovenije, Big Bang, Kompas, Delo prodaja in [a]www.eventim.si[/a]
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INFO
Press: press@umek.si
Trajanje: 22.00 do 06.00
REZERVACIJA MIZ
rezervacije.ag@gmail.com
+386 31 255 706
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Buy: drumcode.ffm.to/dc207
Adam Beyer, Layton Giordani & Green Velvet - Space Date Remixes, Released 2019-06-24, Drumcode, DC207
Two contrasting remixes of ‘Space Date’ come courtesy of Pleasurekraft and John Monkman, as the three-way collaboration between Adam Beyer, Layton Giordani and Green Velvet continues to thrill. Joining the strong reworks is an unexpected treat for fans; a last-minute inclusion of a fresh new original track from the trio.
Drumcode got its first taste of Pleasurekraft’s unique production touch in 2016 when ‘Dopefield’ dropped on ‘A-Sides Vol.5’. The Swedish/American duo’s exploration of cosmic techno realms made them the ideal candidates to re-work ‘Space Date’. Their contribution is as visceral as they come; defined by a hypnotic vocal arrangement, a stirring call and response melody and propulsive galloping beats fashioned for peak-time moments. No surprise it was a highlight of Adam Beyer’s Ultra Resistance sets and gobsmacked Maceo Plex who requested a promo to play at Time Warp a week later.
Meanwhile Drumcode debutant John Monkman steps up with a very different, but not less deadly reinterpretation of ‘Space Date’. The Brit has impressed in recent times with strong releases on Ellum, Kompakt and his own Beesemyer imprint, and takes this form into DC207. His is a twisted intergalactic re-rub drenched in warped electro, blistering modular sounds and touches of IDM that manages the difficult task of taking the original to darker, more leftfield realms without ever losing its powerful dancefloor pulse.
A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa during the sunset slot with Ida Engberg.
A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa in his B2B with Ida Engberg. The track’s sleek melodic grooves and hypnotic vox complimenting the sunset slot perfectly.
Also Check Out
Adam Beyer, Layton Giordani & Green Velvet - Space Date (Pleasurekraft Remix)
https://youtu.be/2hGNfHTSjCs
#Techno #Drumcode #AdamBeyer #LaytonGiordani #GreenVelvet #Pleasurekraft
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Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Landing 10 years after his first concept album, Wehbba’s drops his debut full-length on Drumcode, featuring collaborations with David Caretta, Thomas Gandey and Brazilian vocalist L-cio.
Following a series of globally adored EPs and inclusions within the imprint’s esteemed A-Sides compilation series, the chart-dominating São Paulo native now reflects upon his life as ‘the artist’, offering an immersive montage of stories that echo a tenacious dedication to his craft. Enlisting the talents of multi-instrumentalist Thomas Gandey, Electroclash pioneer David Carretta and fellow Brazilian L-cio, with his unparalleled flute mastery, Wehbba’s synergetic cuts span the breadth of electronic music’s sonic landscape, as he challenges the notion of genres with seasoned voices.
Birthed from the purest inspiration, the album’s 13 cuts represent a myriad of musical references close to Wehbba’s heart, running parallel with the organic sensibilities of his field recordings. An ode to eternal growth, the LP highlights a cycle of perception and projection, as Wehbba studies the morphing of genres through his own musical filter. Discussing the upcoming album, Wehbba commented
"The musical references on these works trace back to the 90s, when I started listening to electronic music and had no judgement of what was cool - when I was totally free. So they represent, without any filter, what touched me, ranging from braindance to goa trance, from ambient to hard house, and from drum n’ bass through every single mutation of techno and house music."
As a key ambassador for Brazil’s dance music community on a global scale, Wehbba’s long-standing career has seen him affiliate with many of the industry greats on both remix and collaborative projects; testament to his flourishing reputation. Following on from the geometric-led titles of his first two albums, Straight Lines and Sharp Corners alludes to the difficult decisions and blunt shifts he has faced in his career, and their capacity to shape his identity over time. Studying the great Antoni Gaudi, Wehbba’s third LP title takes reference from his perceptive quote "There are no straight lines or sharp corners in nature, therefore buildings must have no straight lines or sharp corners. Anything created by human beings is already in the great book of nature." .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
In many ways, it’s difficult to believe Wehbba only dropped his first full-length EP on Drumcode this year. Released in February, the four-tracker ‘Eclipse’ was a monster statement piece of the Brazilian’s talents and followed on superbly from ‘Fake’, his contribution to last year’s A-Sides Vol.6 – inarguably one of the biggest tracks on the compilation. With the confirmation that Wehbba will take part in Drumcode’s Off Week party in Barcelona, followed by the brand’s takeover of Resistance in Ibiza, it’s indisputable proof that his crisp, chord-driven take on techno has become a vital component to the expansive palette of sound Adam Beyer has drawn for the label in 2018 and beyond.
‘Catarse’ marks the rapid-fire follow-up from the prolific producer. Opening with the eerie ‘She Lost Control’, Wehbba says he took inspiration from the Joy Division track of almost the same name (‘She’s Lost Control’), but instead of crafting the dense sonic atmosphere with vocals, he employs an analogue kick drum and stealth-like moog bass with dramatic results. ‘Process’ follows, a cut which begun as a cover jam of Laurent Garnier’s ‘Crispy Bacon’and ends up incorporating the cut-up vocals of legendary minimal composer Steve Reich, who is one of Wehbba’s chief inspirators. The resulting track is an ice-cool percussive work that’s rich in dancefloor functionalism. The title track will befamiliar to many who follow Drumcode Radio, a goose-bump inducing highlight of Beyer’s DCR392 at Awakenings in Eindhoven, ‘Catarse’ is driven by a memorable melodic riff resplendent in 90’s techno euphoria. The EP concludes with the terrific ‘Mind Awake’, a powerful concoction of reverb heavy basslines and glitchy effects, that’s been thoroughly road tested by both Beyer and Wehbba and kicks like a rodeo bull. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Purchase here — bit.ly/DC198BP
Layton Giordani steps up for his first solo EP of 2018.
In terms of pedigrees, it doesn’t get finer than Layton Giordani. The Brooklyn-born DJ/producer followed up his lauded debut album of 2017, with a collaboration with Danny Tenaglia to close out the year and marked the summer of 2018 with a three-way collaboration with Adam Beyer and Green Velvet, ‘Space Date’. The period has been a big one for Layton personally, also. From humble beginnings in his native NYC as an Output resident, to being thrust into the bustle of the European club and festival circuit, he’s enjoyed a stint living in Amsterdam, growing and developing over this time. All these experiences have had a fundamental influence on him and his music. The four-track EP ‘Phase II’ represents a new chapter for this exciting talent.
Beginning with ‘New York to Amsterdam’, a track that draws inspiration from a classic by Yves Deruyter, Layton’s work packs a memorable punch as tough acidic undertones and brain scrambling synth effects undulate raising the intensity, making it a perfect opener for Adam Beyer when he played Berghain earlier this year. ‘Body Language’ follows, a track written when Layton was scrubbed out of touring for a month courtesy of a shattered elbow from a skating accident. Not wasting the downtime, he’s crafted a cut that’s sleek, sexy and smart, with a seductive vocal and rousing melodic riff that runs throughout. ‘Black Mirror’, stays true to its dystopic name, a stomping rave cut that pummels dancefloors with a menacing lead synth that’s purpose built for the cold months ahead. ‘Enter the Stratosphere’ is steely electro-tinged techno paired with atmospheric licks of melody, awhile maintaining the artist’s trademark low-end chug. A classy conclusion to an EP from one of techno’s brightest talents. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
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Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output. Subscribe: https://bit.ly/SubscribeDrumcode
A rare treat for Drumcode faithful A-Sides Vol.10 is set to drop in December, the second edition of the beloved series to come in 2020.
Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.
Jay Lumen leads the way with a rousing riff-driven weapon, ‘Galactic Rainbow’, while Ramon Tapia brings us the muscular gem ‘Drum Control’, mixing up ruffneck techno with a barrage of synapse-tickling synths in the second half. Both rousing highlights of the compilation.
Victor Ruiz, Drumcode’s most prolific contributor in 2020, dishes up ‘Love Story’, led by a huge vocal lead. Zimmz also returns with ‘Tension’, which deftly combines deep squelchy grooves with a silky synth interlude. Thomas Hoffknecht follows up his debut on Vol.9 with ‘Escape’, keeping listeners on their toes with dynamic, choppy shifts throughout. Veerus joins with another stirring addition ‘I Know’, reinforcing why Beyer rates him so highly.
Elsewhere a string of debutants feature buzzy newcomer Lilly Palmer gives us ‘Amnesie’, a brilliantly pummelling and eerie cut; Alex Lentini & Stomp Boxx serve up ‘Expanders’ mixing up drone effects, trippy vocals and an unsettling melody line; and Patrik Berg’s ‘Activated’ is full-bodied techno that drops down into funky rhythms.
Long-time DC family member Bart Skils brings his A-game with the thrilling no-nonsense ‘Solid State’ that hits like a steam train. Likewise, Alan Fitzpatrick who brings a momentous slab of techno energy with ‘Rochus’, while Thomas Schumacher, now feeling like a regular on the imprint, crafts another dark techno opus, this time in collaboration with CAITLIN.
There’s even a special appearance by the chief Adam Beyer, who makes a welcome return with the progressive-tinged ‘Changes’, driven by organic tones and spacey atmospherics. The track stands as his first original contribution to A-Sides since 2017.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy all — https//drumcode.ffm.to/dc211
A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.
The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.
The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’.
The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.
There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.
Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy all — https//drumcode.ffm.to/dc211
A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.
The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.
The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’.
The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.
There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.
Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy all — https//drumcode.ffm.to/dc211
A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.
The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.
The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’.
The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.
There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.
Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Purchase here — bit.ly/DC197BP
Marco Faraone returns to Drumcode with some of his most inspired work ever, comprising of four tracks crossing the Techno spectrum.
Growing up Marco was surrounded by 90s Italo house and techno, which have all had a part in the current sound he produces today. Never one to stick to any individual style, he can often surprise his fans with a set pumping out peak time beats to down tempo house cuts with catchy vocals.
“With this release, I took some inspiration from listening back to some old Vitalic sounds and giving some extra power to the use of synths in each track. It’s got a festival vibe to it, which is something I wanted to achieve” - Marco
His last Drumcode EP was back in 2016, so this October he makes a welcome return showing his multiskilled productions at their full potential on this mega 4 tracker, opening with the gargantuan ‘Never Forget’. Mutating rhythmic synths hark back to the good ol’ days of BXR and the limitless talent of the Italian Techno scene in the late 90s. Boiling over in the main break this is crowd-pleasing dance music at its finest.
‘Cruiser’ is a bumpy upbeat ride with a strong melodic hook that will have the hands raised and the feet stomping. Title track ‘Lunar Eclipse’ is a dense, at times claustrophobic roller. Menacing to begin with, the addition of the main melodic motifs lifts the mood midway. ‘Take This Trip’ rounds out an incendiary EP. Lighter and more musical that the previous three, it offers a joyful, softer message.
“This is a special release for me, I wanted this to have explosive power yet the perfect balance of melodies and sounds to create a different and unique atmosphere for each track” - Marco .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy: https://drumcode.ffm.to/dc244
Adam Beyer feat. DJ Rush - Restore My Soul, Released 2021-06-11, Drumcode, DC244
Adam Beyer invites the legendary DJ Rush to make his Drumcode debut, as the pair link for a stirring maiden collaboration, 'Restore My Soul'.
The DC boss holds a deep respect for the iconic Chicago artist, the relationship stretching back 25+ years to their time touring the German techno circuit in the 90s. The title track builds dramatic tension via elastic synths that oscillate alongside Rush's vocal, taking things to heady levels. 'Control' is a thick wedge of industrial-edged rhythms, with Rush's famous vocal providing a commanding presence throughout. 'Take Me There' is stirring in composition, transitioning from crushing percussive loops to deep techno funk, before working towards a teased out crescendo as Rush's hypnotic refrain echoes in the air. A deliciously pumping DJ Rush remix of 'Restore My Soul' rounds out the package.
Restore My Soul full EP playlist: https://bit.ly/3zm23UQ
Also Check Out
Adam Beyer - No Defeat No Retreat
https://youtu.be/CF02HZ3iblU
#Techno #Drumcode #AdamBeyer #DJRush
Follow Drumcode:
Website: https://drumcode.se
Facebook: https://www.facebook.com/drumcoderecords
Soundcloud: https://soundcloud.com/drumcoderadio .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy bit.ly/DC195BP
The seventh volume of Drumcode’s annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba’s SCB project, among the collection of topline artists to release their maiden productions on the imprint.
Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fueled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others.
As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting 22 unreleased tracks that have taken prime position in his sets over recent months.
Outstanding all-round talent ANNA kicks off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Also entering the debut field with their first ever Drumcode dalliances are B.Traits and Charlotte de Witte. The esteemed Canadian selector offers up ‘I Feel The Music’, a euphonic track that’s been sought after since spring, and the Belgian ballista unlocks a thick-edged club bomb in ‘Remember.’
Leaders of Drumcode’s new brigade, exciting Brazilian Wehbba and British techno alchemist Boxia set out to impress. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force, and Boxia’s ‘Final Call’ elicits physical engagement with mellifluous vocals and soaring pads.
Continuously looking to bolster the profiles of emerging talent, Berlin-based producers Weska and Juliet Fox are brought into the fold with equally engaging razor-sharp tracks that are primed to do lasting damage.
Other notable highlights include an exhilarating workout from Reset Robot - the most released artist on Beyer’s imprint Truesoul – as he lands on Drumcode for the first time. And tastemaker’s favourite Jel Ford makes a welcome return as he ushers in techno rhythms with bustling breaks in ‘Nightshade.’
Elsewhere, support from label mainstays comes in from Bart Skils, who offers a work of consummate skill in ‘West Of The Moon.’ Alan Fitzpatrick, who’s been heavily featured across the A-Side series, joins forces with Scuba as he operates as his uncompromising alias SCB. The result is a propulsive floor-gripper that testifies to their masterful deftness as co-producers. Formidable duos Dense & Pika and Pig&Dan also contribute with powerful compositions.
About A-Sides
The sheer wealth of quality music Adam Beyer receives each year is immense. Unable to find a home for them all on Drumcode’s busy release schedule, since 2012 the music is showcased via the label’s celebrated A-Sides series. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy all — https//drumcode.ffm.to/dc212
Rebūke joins the Drumcode family with a blistering three-track EP.
We got our first taste of the Irishman’s exhilarating talents when he debuted on Truesoul back in April with ’50 First Raves’. His unique alchemy of house, techno and rave has seen him become one of the breakout stars of 2019 and ensured he’s stayed firmly on the radar of Adam Beyer.
Inspired by his experiences at Drumcode’s now-legendary party at Space Miami during WMC, Rebūke’s DC debut encompasses all the dynamic energy of his previous contributions, with peak-time pounding effect. ‘Rattle’ leads the trio, a cut voraciously track I.D’d by Rebūke’s fanbase and highly anticipated across the industry after a high-impact play during Radio 1’s Weekender in Ibiza. The track pops with the producer’s trademark rubbery rhythms, pin-sharp drums, intermittent rave horns and a wicked acid line, culminating in a high-octane trip that’s one of the most thrilling we’ve heard on DC this year. ‘Operator’ spits fierce drum sequences before a tweaked-out bass melody grows with undulating intensity giving the track it’s shining character. ‘Metal’ builds with intergalactic stabs and claps before a menacing low-end melody enters the fore and his signature percussion gives the track an otherworldly tribal crunch. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy all — https//drumcode.ffm.to/dc211
A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.
The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.
The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’.
The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.
There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.
Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy/Stream https//drumcode.ffm.to/dc239
Rebūke returns for his third EP on Drumcode, reinforcing his status as one of the most innovative new artists in techno.
The Irishman’s previous offerings on the label ‘Rattle’ and ‘Obscurity’ have been standouts; interesting and innovative in equal measures, the artist’s grind to push himself sonically and offer up something fresh with each release profoundly evident. ‘Rattle’ was a commercial and critical success, included in DJ Mag’s tracks of 2019 round-up, while ‘Obscurity’, garnered acclaim from all corners of the industry and saw all three tracks hit the Beatport Techno Top 10 (Peak Time / Driving).
‘Wasp’ continues this inspiring vein of form. The lead track is a signature Rebūke’ the kind that of synapse-searing belter that promises to join the canon of his biggest tracks to date. ‘Clarity’ and ‘Redemption’ are shimmering slices of cinematic techno, drawing as much inspiration from film soundtracks, as they do from the rave, reinforcing the artist’s expansive creative approach. ‘Redemption’ will be familiar to many, having highlighted Rebūke’s acclaimed Essential Mix last summer. It continues on the same thematic tip, a stirring widescreen composition, powerful and emotive; it’s destined to be an end-of-night tear-jerker, once it’s safe for parties to return. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy all — https//drumcode.ffm.to/dc211
A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.
The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.
The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’.
The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.
There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.
Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy: https://drumcode.ffm.to/DC253
Alex Lentini & STOMP BOXX - Split the Noise, released on 26.11.2021. by Drumcode - DC253
Also check out:
Ilario Alicante - Rave Soul: https://bit.ly/3l5lE6r
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Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.
Subscribe: https://bit.ly/SubscribeDrumcode
Buy all — https//drumcode.ffm.to/dc219
A firm Drumcode favourite, Mark Reeve is back with his latest techno opus.
Weaving his vitalising, biting techno through the seminal imprint since 2012, Reeve has since become a permanent fixture within Adam Beyer’s camp. He saw demand for his knockout ‘Run Back’ EP being matched and surpassed by his ‘Far Away’ EP, which bagged the number one spot on Beatport’s techno chart. Staunch DC fans will also be familiar with Reeve’s output on the label’s A-Sides compilation series, and clubbers hot on the tails of Drumcode events will have caught him centre stage across a string of showcases, including the inaugural Drumcode Festival.
Reeve’s music invariably endorses an arresting sonic aesthetic, with intense melodies often driving in those eye-closing moments. The title track ‘Distance’ is an atmospheric opening gambit set to sonically massage the senses with uplifting pads and a radiant melody. ‘Serum’, a track recently road-tested by Beyer at a special event in collaboration with Cercle, soars and captivates as it progresses with a low-end rumble and intricate keys. ‘Fix Me’ is a vigorous techno workout that’s intent on energising a clubroom rammed with sweat-soaked dancers. Closing off the EP, ‘Filmwave’ rides a killer groove into a pit of punchy, powerful kicks. .
Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.