Various Artists
PROGRAM 100: SAMPLER
PRGRAM100

Buy / stream: https://RAM.lnk.to/100samplerID

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The 100th part of Program’s discography is about to drop and with it you’re reminded of a huge part of the imprint’s history, spanning across a colossal number of releases and representing an important section of the drum & bass underground. Split into three parts, Program 100 will realign you with the sounds which gained the international attention which Ram’s sister label now enjoys, having broken away from its counterpart whilst creating its own place within the dance music market. For its first package, you’re given remixes, exclusives and VIPs as part of the Sampler. And these include tracks which have been heralded as this year’s most sought after dubs, by the likes of trend setting players such as UKF and Red Bull.
 
Marking the first part of its track listing, the growling Skantia rework of LoKo’s ‘Bassline Secret’ will be a welcome introduction for many drum & bass listeners. Ram Records stalwarts Calyx & Teebee then have their take on Legion & Logam’s ‘House of Cards’, before Eastcolors' ‘Toys’ gets the VIP treatment. Fascad makes his Program debut with ‘Bull’ and Eazy’s ‘Lushen’ oozes with the technical Program vibe. Rounding off the sampler is Glitch City & Night Shift’s ‘Spider’s Web’ and they make their first appearance on Program yet fit perfectly within its ranks, delivering a murkier undertow from their usual offerings. In just six tracks, the label’s team have painstakingly selected music which defines its journey, from its beginnings to now. So once again, it’s time to get with the Program, although this time its for its most expansive sequence to date.

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Magnetude
‘Before the Dawn’ (Original Mix)
RAMM337

Ram wasn’t the beginning of Magnetude’s path, but it’s an imprint which as represented a home for the Anglo-Russian duo and it’s a place where they’ve been able to explore their creativity. However, it’s their raucous, dancefloor cuts which have created a place for them within the 25-year strong Ram Records back catalogue and it’s ensured they’ve become a buy-on-site duo for DJs across the drum & bass spectrum. But for their next release, they’ve decided to slow down the tempo and focus on a different side of their production repertoire. Joining them is long-time collaborator Julia Marks, who adds her stunning vocal crescendos and heartfelt lyricism into the mix for their forthcoming single ‘Before the Dawn’.

‘Before the Dawn’ still orchestrates the same sonic altitudes which Magnetude have presented throughout their previous singles on Ram, including the likes of ‘Arcade’ and ‘Snatch’ - although the emotions which mould with the distorted-bass rhythms and peaking synthesizers of ‘Before the Dawn’ bring you through to another part of their musical capabilities. The record highlights how Magnetude aren’t just drum & bass producers; they stretch their talents throughout a range of subgenres, which is also something Ram became renowned for during dance music’s explosion into the commercial sphere.
On the reverse, there’s a drum & bass mix for fans who crave for their beats to be at a quicker pace. Whilst the pulse quickens, it still features the emotive patches which rise above the track’s grittier drum sequences. They come thicker and faster, pushing forward with a more driving bassline as you’re given a track which provides both a set climax, and even a perfect intro.
Already spearheaded by the likes of Andy C, ‘Before the Dawn’ is a statement from Magnetude and gives another clear insight into the newcomer’s ambitions. With more music already prepared for the New Year, it’s about to be another very determined twelve months for Magnetude, alongside an already impressive output of releases.



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Calyx & Teebee
The Fog
PLATE005

Stream/buy: https://RAM.lnk.to/thefogID

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'The Fog' sees Calyx & Teebee reveal a new facet of their ‘Plates’ project, which now encompasses five records, each highlighting a different chapter of their historic careers that have spanned three decades. From ‘War Dub’ through to ‘The Fog’, there’s a host of styles mastered. ‘The Fog’ is another look into Calyx & Teebee’s huge array of sounds and production techniques, with an unrelenting drive that’s pushed by guttural basses and heaving subs.

Turning their heads away from current music fads and instead staying true to the unique identity that has made them such an identifiable force, Calyx & Teebee's ‘Plates’ series highlights why they have remained a leading light for Ram Records and its long-standing reputation. The duo is back with the zig-zagging stabs, hypnotic pads and rolling drum breaks of ‘The Fog’; showing that the ‘Plates’ series continues to broaden its breath-taking diversity

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RAM's Drum & Bass Annual 2016 - watch/listen here! http://vid.io/xoko
June Miller - Spin test - Out Now: https://RAM.lnk.to/LetItRollEpfp

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The world's biggest drum & bass festival is approaching and with it comes some of the scene's most formidable imprints. With over two decades of experience, Ram has heralded the genre since its inception. And this year, they'll be taking over the insanely engineered Factory stage with a line up like no other, featuring the heaviest names across their roster.

In celebration of their stage takeover, the imprint has provided four fresh cuts to whet your appetite. In association with the festival, they've picked a host of names to provide a soundtrack to your summer.

Up first comes the long awaited release of Calyx & TeeBee's 'Get it Twisted'. Following the runaway success of their 2nd LP on Ram, this is a welcome follow up, with reverberating LFO which flicks between the vocal talents of Calyx himself. Proving they're kingpins of the game, there's no better way to reintroduce you to Ram's most resounding veterans.

Then the monumental collaboration between Rene LaVice and Current Value rolls out next. A pairing seldom seen, they bring together two varying styles that merge to create something both irrevocably huge and drivingly dynamic. With Rene's tell-tale production standard merged with the gritty, tech-infused sounds of Current Value, 'Calm the Fuck Down' is anything but a wind down.

June Miller's slice of stabbing bass 'Spin Test' is exactly what you'd expect; ingenious in its design, with pounding drum loops amongst a tightly knit composition. A duo who come with no apologies, they've been on the genre's forefront since with debut 'Robots & Romans' LP, and this next output proves they're here to stay.

Changing the tone slightly is Ram Records guest Madface, who once again teams up with Janine Small for a stunning vocal number that provides a lighter hue. Soft pads and vocal crescendos bring you deep into the mix, demonstrating Madface's ability to encapsulate the versatile sounds of the spectrum's lighter end.

So, let Ram take you into Prague this summer… As the countdown is on until this year's biggest drum & bass festival detonates subs and ear drums globally.


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Bensley - 'Hard Times' Ft. Emer Dineen

Out Now on his 'Muskoka' Album
https://RAM.lnk.to/MuskokaWE
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Acclaimed Canadian musician Bensley releases his eagerly awaited sophomore album ‘Muskoka’ on RAM Records on 26 July, featuring twelve scintillating cuts that demonstrate why he is one of the most original and exciting talents in Drum & Bass.

With ‘Muskoka’, Bensley takes the listener on an exciting, immersive journey and draws upon his varied musical talents, dropping elements of jazz (as on ‘Hard Times’ and ‘One Last Chance – Remix’ which feature Bensley’s impressive alto-saxophone playing), hip-hop (‘Do It Again’ ft. Armanni Reign), plus breaks and jungle (‘Muskoka’ which incorporates clever samples to evoke sounds of animals and birdlife).

This creates an unforgettable album which is as vibrant and awe-inspiring as the landscape and nature of the part of Canada which has inspired its namesake, Muskoka.

On ‘Muskoka’ Bensley says: "‘Muskoka’ is a body of work comprised primarily of music that I wrote while at my family’s lakeside cottage in Muskoka, Ontario. This is a place where I’ve spent every summer for as long as I can remember, and that has hugely shaped the person I am today. The breath-taking wildlife, forests and lakes provide an endless source of inspiration and make Muskoka not only my favourite place to write music, but my favourite place to be.”

Bensley’s ground-breaking 2015 debut album ‘Next Generation’ won him widespread acclaim, including from Zane Lowe, MistaJam, Friction, Zeds Dead and DJ Fresh. This debut was followed by celebrated singles ‘Outsider’, ‘Tiptoe’, and ‘Slither’, plus official remixes for the likes of Flux Pavilion, Azari & III, and Camo & Krooked.

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Magnetude
Arcade
Released – 6th July
RAMM329

Magnetude’s formative single ‘Snatch / Signals’ marked the beginning of their relationship with Ram Records. The Anglo-Russian hybrid was brought together through their mutual love of music and this is evident through each one of their sonic imaginings. Their incredible production standard and attention to detail didn’t go unnoticed by drum & bass figurehead Ram, as their cross-pollination of influences filtered through their meticulously fashioned compositions. After spending the last year solidly working on their unique blend of dance music, they had their defining moment on the drum & bass behemoth, which is now being followed in quick succession by forthcoming record ‘Aracde’.

‘Arcade’ has already been doing the rounds, becoming a signature within the duo’s sets throughout the world. The 8-bit breakdown and synth-layered crescendos take you through each track switch, as you’re pulled deeper and deeper into a pin-ball machine of evilly-laughing samples amongst fast-paced beat patterns. Magnetude demonstrate that there’s more to come following their sophomore release and that this is only the beginning for a pair who’ve spent years sharing their craft online. With the backing of an imprint that has had twenty five years to define their roster, Magnetude are a welcome addition to Ram’s genre-shaping catalogue.




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Calyx & Teebee - 'Set The Tone'
Buy/Listen: https://RAM.lnk.to/ct-setthetoneID

Calyx & TeeBee are edging closer to the climatic release of their ‘Plates’ series, an album which encapsulates the elements of releasing music which are sometimes forgotten in the contemporary world - especially with today's demand and culture of instant gratification. Following in the footsteps of ‘Big Sound’, ‘The Fog’, ‘Made in Detroit’, ‘Look to the Skies’, ‘Cloak & Dagger’ and ‘War Dub’, their forthcoming single ‘Set The Tone’ remains within this authoritative paradigm, reminiscing on the old-school whilst also infusing the record with Calyx & TeeBee’s innovative stamp. It’s 2021 and Calyx & TeeBee make a triumphant reappearance, alongside a decorated tour schedule and a host of brand-new music.

‘Set The Tone’ takes 'Plates' to the next level, with a minefield of free-falling breaks and a vocal call-to-action rolling between its smashing crescendos. Stamping bass riffs drive the mix forward and in all it’s a track of impressive form, kick starting the resumption of 'Plates’ releases as the LP project builds to completion. Watch this space.
___

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Bensley - Under The Sunshine - Out Now

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Bensley was an artist picked from relative obscurity – a name which was absent from cyberspace, with no music available to stream anywhere online. However, when his intricately crafted, stunning sonic demos landed on the desk of Andy C’s esteemed Ram Records imprint, he soon rose to infamy within the drum & bass world. His release ‘Fandango’, the first snapshot into his impeccable production standard, was met with critical claim, from press to radio. Pedestalled on the revered UKF platform and on tastemaker Mistajam’s Radio 1xtra show, his story became legendary. The nineteen-year-old was an anomaly within dance music, grafting alone in the studio only to be picked up by one of dance music’s most definitive imprints.

Shortly after his exclusive signing to Ram, he released his debut LP ‘Next Generation’. For an artist that young to release such an impressive body of work, over such a small period, was almost unheard of. And in the years following, he followed up this album with single after single of unrestrained talent. His next offering comes in the form of ‘Under the Sunshine’, once again returning to a more vocal-lead style which resonates more outside of the club. With dreamy synths, beautifully rolling beats and Charlotte Haining’s vocal overtones adding to the track’s strident melody, ‘Under the Sunshine’ flexes Bensley’s full production might. It’s a crossover electronic track layered by his penchant for song writing.

The story continues for Bensley. ‘Under the Sunshine’ represents his evolving sound and with the guidance provided by Ram, he’s looking to develop his artistry throughout an array of genres. Drum & bass was the beginning, but his multi-faceted skillset continues to grow with every release; this single is a testament to that.

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Killbox
‘Pleasure Palace’
Out Now
Ram Records

After the announcement that Ed Rush and Audio would be joining arms to present their brand new ‘Killbox’ project, their stream of releases have been relentless. Although this can only be expected from artists who have decade’s worth of experience within drum & bass, paving their own ways and even shaping the genre’s foundations. The epitomic part of their project now comes in the form of their forthcoming LP ‘Pleasure Palace’, a colossal fourteen tracks which includes a host of unreleased records reclaiming their places as contemporary pillars within the scene. They’re now set to add to their conjoined history and ‘Pleasure Palace’ offers another chapter, alongside many of their standalone, groundbreaking LPs.

Having already unveiled the likes of ‘Cousin of Zilch’, ‘Clickbait’ ft. Rymetyme, ‘Neverwhere’ and ‘Witchmaker’, which have lined many of the biggest sets over the last time twelve months, they are set to explode back onto the market with a huge selection of fresh cuts. The gritty sounds of ‘Colony’ with its manipulated bass movements open the LP, with ‘Kashmir Uzi’ continuing the assault. ‘Goldfoot’ crashes forward with the same ferocity whilst ‘Kurtz’ rolls into play with crunching LFOs. The peaking vocals of Loletta Holloways on ‘Nitty Gritty’ smashes through alongside its climatic breaks, followed by in quick succession by ‘Shoreditch Shuffle’ and ‘Delete Profile’. They both channel the same chaos but ‘Delete Profile’ expands with a more subdued air. ‘Real World’ once again ramps up the track listing with its executioners’ style, whilst ‘Soul Eject’ appeals to the pairs more old-school roots with its cranking snares. Closing the album, ‘Troll Eater’ comes fast and hard, the final climax with a lasting impression. It’s an undeniably versatile collection, projecting a side of both artists which have yet to been.

‘Pleasure Palace’ will be released on the twenty-five year strong dance imprint Ram Records and the stage has already been set. After decimating crowds at London’s definitive Arcadia show, their soundtrack is about to be unleashed on drum & bass’ wider audience.

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www.twitter.com/killboxdnb

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Killbox - Witchmaker - 28 June

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The work rate of Ed Rush and Audio’s collaborative project is intimidating even for the most technically advanced producer. Their debut self-titled EP was released at the start of 2017 and they’ve followed this definitive release with ‘Clickbait’, a track which cemented their position as dancefloor annihilators and studio geniuses. Now comes the duo’s third output, arguably one of their most fierce to date, proving why fans were right to be excited after the announcement of Killbox on renowned imprint Ram Records. Although what else can you expect from a pair who have decades worth of experience between them and who remain figureheads of the drum & bass world’s murkier waters.

‘Witchmaker’ further solidifies Killbox’s reputation as a crushing heavyweight force. A carefully manufactured introduction into chaos, ‘Witchmaker’ ramps up at a dizzying speed, firing quickly processing beat patterns and nastily peddled drums from every direction. It once again demonstrates how uncompromising the duo are. Killbox aren’t afraid to submerge you in their no-holds-barred approach, continuing their ascent pathed with every one of their nastily slick productions.

It’s time to return to the refined yet monstrous sounds of Killbox, a production outfit who are just as formidable in the studio as they are behind the decks. With a host of high-profile festival appearances this summer, as well as more stellar releases sitting in the pipeline, Ram Records’ darkest recruits continue to build on their solid foundations.

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Calyx & Teebee
‘Look To The Skies’
PLATE003

Buy / Stream: https://ram.lnk.to/LookToTheSkiesWE

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‘Look To The Skies’ is the third chapter in the expanding ‘Plates’ series. Spanning seven and a half minutes, it’s an immersive listen eschewing the short, quick mix nature of some tracks found in many DJ’s sets of late. “It’s a musical journey like it used to be”, explain the duo. “An evolving track that brings new elements to your experience with each listen.”

Expressing themselves throughout, ‘Look To The Skies’ like previous Plates releases has ‘no emphasis on A or B sides – just a varied series of tunes’ that reflect the pair’s passion for drum & bass. ‘War Dub’, ‘Cloak & Dagger’ and now ‘Look To The Skies’ show the continued development of Calyx & Teebee’s sound for a project both are excited to see evolve. 
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Calyx & Teebee - Blown - 14 June

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2017 is the year Calyx & TeeBee went back to their roots, exorcizing the underground spirit which originally ignited their careers. Over their last three releases, they’ve shown why they’re regarded as two of the most influential figures within the tech-driven realms of drum & bass, with a combined experience of over four decades. And yet again they offer up another finely chiselled record which epitomises what the outfit came together for. Undiluted, cut throat and created for the bass heavy world of the dancefloor, Blown provides yet another sonic call-to-arms for their back catalogue and it’s a track label head Andy C has pedestalled as a set opener in recent months.

After two critically acclaimed LPs on Ram, festival slots on the likes of EDC and a host of remixes for the industry’s biggest names, from Sigma to Rag’n’Bone Man, the pair realign with their darker side with Blown. Hollowed out, pounding drums and fluctuating bass notes take you through their expert manufacturing, with a bassline that weaves in between each carefully layered segment. Wooden percussion filters through the mix, before a seismic drop pulls you into a merger of old-school and contemporary production, one which nods to the pair’s decorated history. The track is driving yet intricately coated, with pitched up synths adding a softer touch amongst the madness.
Calyx & TeeBee switch it up another notch this year, proving that their commitment to the underground is as strong as ever. Alongside Ram Records, they continue to be a definitive part of the genre’s fundamentals, providing cut after cut of unadulterated filth.

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Origin Unknown 'Sound In Motion' (Killbox Remix)

RAM25 - The Album - Out Now
https://www.ramrecords.com/download/ramm300d

Standing as one of the most resounding electronic music labels in history, Ram Records has finally hit its 25-year milestone. Established by Andy C and Ant Miles in 1992, the label has boldly placed itself on the forefront since its inception, acting as a foundation for the drum & bass genre and seeing through its development from the very beginning.

Once heralded as a platform for Andy C’s own productions, the imprint expanded massively, becoming a world-renowned hub for some of the biggest drum & bass artists to ever hit the scene. The label has gone from strength to strength, helping to pedestal house-hold names such as Chase & Status, Sub Focus and Wilkinson.From the charts to the radio airwaves, they’ve continued their crossover success.Receiving daytime airplay and top ten positions unceasingly over the last decade, the producers have enabled Ram’s influence to seep into every corner of dance music.

Alongside support from BMG and current label manager Jim Gash, 2017 has seen Ram Records ascend to new heights. And to celebrate their twenty fifth year, Ram will be rereleasing twenty five original remastered classics from their definitive back catalogue as well as seventeen remixes, including reworks from Chase & Status, Killbox, DC Breaks, Frankee, Total Science, Benny L, Kasra and Enei, Ant Miles and Shimon, Bladerunner, DJ Marky Calyx & Teebee, Sound in Noise and Metrik. All in, it’s Ram’s most ambitious project to date.

The 25th year of Ram’s history is looking to be its most memorable yet. Both musically and through their major city UK tour dates, Ram’s versatile roster is still being pushed to new borders. Quarter of a century on and the record label is as strong as ever.

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Raiser vs Axel Boy - Back Off

Whilst rooted in drum & bass, Raiser refuses to conform to any rules when it comes to its production - firmly moulding the music his way.

Alongside Bristol bass titan Axel Boy, the duo comes to Ram Records with ‘Back Off,’ an energetic, brash workout that traverses drum & bass, house and bass - with each producer leaving their trademark stamp on the track.

Raiser’s first outing of 2019 is one that is certain to reverberate across the electronic music spectrum – refusing to ‘Back Off.’

___

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RAM's Drum & Bass Annual 2016 - watch/listen here! http://vid.io/xoko
June Miller & Mefjus - Saus

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June Miller
1: Saus 2: Ups & Downs 3: Bad Brains 4: The Promise Ring


The introductions are over; June Miller are back and there's no apology. They've reappeared having been stooped in solitary confinement; presenting a handful of cuts, only to prove that this was brutally productive and they've been working hard to follow up their last release.
Bare-knuckled and still swinging, this EP sees June Miller entering round three and raising the bar yet another level. The precursor to their forthcoming album, from 'The Promise Ring' to the resounding brass of 'Saus', it certainly sets a precedent.
Rolling out first is a record featuring Mefjus, a production freight-train who's been setting the competition alight in recent months. 'Saus' is no different, with June Miller intertwining a tightly compact composition which smashes your synapses on impact. Rattling through on tracks of unhinged percussion, prepare yourself for a musical excursion which will take you through the darkest depths of drum and bass. But what else could you expect, when the talents of June Miller and Mefjus are so effortlessly combined?
Coming up next, title-track 'Ups & Downs' shows the pair's ability to completely flip an emotive vocal sample onto its back. The way they use this sound component shows undiluted ingenuity, creating a totally different impact with every switch. It begins through a wave of static, with a break that slowly leads you up a drum-paved crescendo. Then it pounds, drops and pulls you up just as quickly, creating dynamics which merge to create an electronic masterpiece.
Then we're introduced to 'Bad Brains'. There's no denying why this track has been used to intro so many sets over the past year. It winds up with an intimidating compactness, before springing you into chaos. Bludgeoning beats roll with each bar set and there's no escape from its driving onslaught. This track is instantly recognisable on first listen, alluding to June Miller's ever-growing profile.
And lastly, we have 'The Promise Ring'. Adding a sexier vibe to its predecessors, the producers have yet again showed there's a hidden depth to their musicality. Snapping, tapping and with a female vocal oozing between carefully layered constructs, it's a nod to their huge reel of ability. This last reaffirms that their debut album is sure to feature some of the most perfectly crafted, versatile music the Ram imprint has to offer.

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Killbox
Rodan
RAMM410
https://ram.lnk.to/killbox-rodanYT

‘Rodan’ is the final testament of Killbox’s explosive second album under the Ram Records banner, before its eventual release in late Spring. And it's another introspective look into the journeys of Ed Rush and Audio, from their beginnings as solo artists decades prior. With ‘Pleasure Palace’ sitting in the backdrop, they’ve since continued to bring forward their game changing engineering into contemporary standards and their pivotal next LP ‘Devine Profits’ is the result of this transition.

With an eerie roll out, dropping amongst bowing layers of bass and thumping drum beats, Killbox demonstrate their weight once again with ‘Rodan’. Back in the familiar, dark landscape which Killbox reigns over, ‘Rodan’ is an expansion of this sound - and 'Divine Profits' is the end destination.
___

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Killbox
‘Pleasure Palace’

Out Now
https://www.ramrecords.com/download/rammlp37d


After the announcement that Ed Rush and Audio would be joining arms to present their brand new ‘Killbox’ project, their stream of releases have been relentless. Although this can only be expected from artists who have decade’s worth of experience within drum & bass, paving their own ways and even shaping the genre’s foundations. The epitomic part of their project now comes in the form of their forthcoming LP ‘Pleasure Palace’, a colossal fourteen tracks which includes a host of unreleased records reclaiming their places as contemporary pillars within the scene. They’re now set to add to their conjoined history and ‘Pleasure Palace’ offers another chapter, alongside many of their standalone, groundbreaking LPs.

Having already unveiled the likes of ‘Cousin of Zilch’, ‘Clickbait’ ft. Rymetyme, ‘Neverwhere’ and ‘Witchmaker’, which have lined many of the biggest sets over the last time twelve months, they are set to explode back onto the market with a huge selection of fresh cuts. The gritty sounds of ‘Colony’ with its manipulated bass movements open the LP, with ‘Kashmir Uzi’ continuing the assault. ‘Goldfoot’ crashes forward with the same ferocity whilst ‘Kurtz’ rolls into play with crunching LFOs. The peaking vocals of Loletta Holloways on ‘Nitty Gritty’ smashes through alongside its climatic breaks, followed by in quick succession by ‘Shoreditch Shuffle’ and ‘Delete Profile’. They both channel the same chaos but ‘Delete Profile’ expands with a more subdued air. ‘Real World’ once again ramps up the track listing with its executioners’ style, whilst ‘Soul Eject’ appeals to the pairs more old-school roots with its cranking snares. Closing the album, ‘Troll Eater’ comes fast and hard, the final climax with a lasting impression. It’s an undeniably versatile collection, projecting a side of both artists which have yet to been.

‘Pleasure Palace’ will be released on the twenty-five year strong dance imprint Ram Records and the stage has already been set. After decimating crowds at London’s definitive Arcadia show, their soundtrack is about to be unleashed on drum & bass’ wider audience.

www.facebook.com/killboxuk
www.twitter.com/killboxdnb

www.facebook.com/RamRecordsLTD
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Shanks - 'My Level'
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June Miller - Gods - Out Now: https://RAM.lnk.to/JMLetItRoll

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Let it Roll stands as the biggest drum & bass showcase the world has to offer. Welcoming thousands of music lovers from every corner of Europe, their stage aesthetics have proved year after year that they’re as impressive as the artists they host. With line ups that are seldom seen elsewhere, featuring staple heavyweights from every part of the genre’s spectrum, this isn’t a small feat. Friday’s opening ceremony has always been a defining moment for each festival goer, whether that’s an artist or fan. And this year, Ram Records’ stalwarts June Miller provided an open sequence for what turned out to be Let it Roll’s biggest year yet.
Following their debut LP on the Ram imprint, June Miller have only grown from strength to strength. Become an intrinsic part of the scene’s fabric, they’ve delivered monumental slices of bass which have resounded across their growing audience. After the climatic hit of their opening sequence, they’ve condensed the full show into five tracks for this next EP. So even if you missed it, prepare to blow your subs and reimagine the spectacle which opened the world’s largest meeting of sonic masterminds.
If you’d like to immerse yourself in the realms of June Miller and Let it Roll’s ferocity, the production outfit have delivered the sequence in full for the track listing’s first part. Otherwise, you’re introduction to June Miller’s Let it Roll EP is through ‘Hide & Seek’. It’s an animalistic tempo changer that pitches its way through warbling snare. ‘The Source’ rolls out next, a mechanical riddim that moves on top of distorted bass and pounding drum patterns. ‘Gods’ is an anarchist’s dream, with flurries of tinny beats and clanking kick. Gradually peaking and throwing you down crazy drops, June Miller are as intimidating as ever. ‘The Final Sequence’ wraps up all four separate partitions. With chanting ‘Let it Roll’ sample and a gradually grinding bassline, it’s an ominous affair. Although, after its successful delivery, you shouldn’t expect any less from the producers.
The meeting of Ram Records, June Miller and Let it Roll was never going to anything less than carefully crafted chaos. And now you can witness their formidability from your headphones.



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Ram Trilogy - 'Human Future' (Benny L Remix)

RAM Trilogy 'Revolutions' - https://RAM.lnk.to/revolutionsID

The ‘Revolutions’ LP from Ram pulls together some of the most iconic tracks which the imprint dropped during its beginning stages, spearheaded by Ram Trilogy (Andy C, Shimon and Ant Miles). After celebrating the twentieth anniversary of ‘Molten Beats’, an album which shaped drum & bass at its roots and continued to do so after its release, they’ve now offered the trio’s back catalogue to several producers currently making their own impact in the modern-day.

Featuring reworks from Andy C, Shimon and Ant Miles, each founding member ignites a fresh spark with their offerings. Meanwhile, Insideinfo, Levela, Benny L and Traumatize all flex their production muscles through their take on a set of historic records. With 'Revolutions' already in club circulation, it’s an album Ram fans have been waiting for. And when it drops, it’ll refresh the community as to why Ram has continued its longevity whilst still leading the way within the dance music scene.

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