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Tiger Stripes follows up ‘Baby’ with a quintuplet of aces on Drumcode.

Death, taxes and Tiger Stripes crafting dancefloor weapons for Adam Beyer’s Drumcode and Truesoul labels. Not many things in life are certain, but we’ve always counted on Mikael Nordgren knocking it out of the park. Last year’s ‘Baby’ EP was a label highlight, while in March he released ‘Sneaking Hotdogs Into People’s Pocket’, which mined the spirit of ‘90s-drenched euphoria and was a standout on Truesoul. Now he’s back dropping heat on DC.

Taking the retro vibes of Hotdogs into more techno-orientated territory, he bunkered down with his family in the Swedish forest, setting up a makeshift studio in the kitchen. From this, the five-track ‘Into Desolation’ was born. Beginning with ‘Recluse’, it combines steely bass rumbles with old skool stabs and a heady vocal from Mikaela Rahmqvist. ‘Basshunter’ is propelled by galloping bass and a catchy undulating melodic loop and is brilliant in its effective simplicity. ‘Into The Early Night’ is a pearl, comprising deep compression-heavy bass stabs, perky percussion and a rousing vocal, making it a winner at festivals so far this summer, including Awakenings. ‘Ignition’ fires on all cylinders with a wicked arpeggiated hook and pounding drums. ‘Ride’ is a nostalgic nod to the past as trance-inspired chords marry deliciously with crunchy future-focused techno.

Tiger Stripes — Ignition — Drumcode — DC209 .

Drumcode is more than a label, it’s a movement. Founded by Adam Beyer, it stands as the highest selling and most influential imprint in techno, has spawned a radio show listened to by millions each week, and a global events brand hosting festivals and events throughout Europe, North and South America. Adam Beyer’s unwavering commitment to quality, combined with a future-focused ethos are the cornerstone of the brand’s success. His definition of techno is open-minded and expansive, while resolutely refusing to compromise on the smallest detail with every aspect of Drumcode’s output.

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Hot Since 82’s trajectory has been nothing short of incredible. x4 Pete Tong ‘Essential New Tunes’, x3 BBC ‘Essential Mixes’, 2013’s groundbreaking ‘Little Black Book’, 2014’s Knee Deep In Sound mix album (on his new label of the same name), Top 10 Beatport seller of all time with his ‘Bigger Than Prince’ remix, Mixmag cover star, performing live accompanied by a string quartet, x4 sell out North & South America tours including Coachella, x3 tantalizing Ibiza seasons and most recently his best trick yet, kidnapping fans for TAKEN, one of the most unique clubbing experiences you will ever have.

Hot Since 82 steams onto Truesoul with full force releasing two incredible tracks that explode with energy and punch. ‘Damage’ packs the power with its chunky drums and huge synth stabs that power through the mix to knock over crowds. ‘Veins’ encapsulates the chuggy Truesoul sound that Hot Since 82 is notorious for. Hot Since 82 has engrained rolling beats and shimmering highs throughout each track to propel the EP to climax into a remarkable piece of work.

Bensley
'Kilauea'


Acclaimed Canadian musician Bensley returns with the explosive single ‘Kilauea’ released on 19 April, ahead of his eagerly awaited sophomore album ‘Muskoka’ out on RAM Records in July - the follow up to his ground-breaking album ‘Next Generation’.

‘Kilauea’ is the perfect taster for what listeners can expect from Bensley’s second album, ‘Muskoka’, ahead of its release on RAM Records and cements his status as one of the most exciting, innovative producers around.

Named after Hawaii’s most active volcano, ‘Kilauea’ cleverly evokes images of exotic island scenery using ukulele and lap steel guitar samples alongside the sound of island birds and crashing surf. An atmospheric cut that builds to a powerful crescendo, ‘Kilauea’ is a dancefloor shaker that takes the listener on an immersive journey.

The twelve-track album ‘Muskoka’ was primarily composed whilst Bensley was at his family’s lakeside cottage in Muskoka, Canada. Here is where he has spent every summer of his life. As Bensley says: “Muskoka has hugely shaped the person I am today. The breath-taking wildlife, forests and lakes provide an endless source of inspiration and make Muskoka not only my favourite place to write music, but my favourite place to be.”

Bensley’s forthcoming album ‘Muskoka’ will be released on RAM Records on vinyl and digitally in summer 2019.

Bensley’s 2015 debut album ‘Next Generation’ won him widespread acclaim, including from leading selectors Zane Lowe, MistaJam, Friction, Zeds Dead and DJ Fresh. This debut was followed by celebrated singles such as ‘Outsider’, ‘Tiptoe’ and ‘Slither’, and official remixes for the likes of Flux Pavilion, Azari & III, and Camo & Krooked


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RAM's Drum & Bass Annual 2016 - watch/listen here! http://vid.io/xoko
Audio - Foodchain - Pre-order RAMLife and get Audio - Foodchain now - po.st/AudioRAMLifeiT

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2014 stands as a defining moment for the RAM Records imprint. Not only did it announce the pivotal signing of artists like Audio, Teddy Killerz and Bensley but they also oversaw the birth of compilation series RAMLife hosted by Loadstar. Even in its first form, it contained nearly every essential release the last twelve months had to offer.

But this year, RAMLife is taking you into deeper and murkier dimensions. Having already flexed his production muscle on the ricocheting, four-track 'Nil by Mouth' EP, as well as his first visual debut in the music video for 'Heads Up', it's now time for Audio to cut open and expose his musical psyche.

Including some of the most aggressive, technically adept and prominent artists the genre has to offer, including Bad Company, Optiv & BTK and Noisia to name a few, no stone goes unturned for the album's entirety. Audio also throws bass-fuelled bullets in the form of exclusives, with explosive VIPs that have yet to be released.

The brand new cut 'Foodchain' from Audio sets a theme which is prevalent throughout all 27 tracks. Uncompromising yet diligently crafted, it leads you into a freight train of musicality which holds you hostage from start to finish. Zipping through to the mechanical composition of Mefjus' 'Brainwork', all the way back to Spor's heavy-hitting 'Bullet Time' remix; this is a no holds barred exploration of the genre's darker side.

But what can you expect from the man who garners such an explosive reputation across the club circuit? Audio brings his live personality into the whole album and accompanying mix; one that doesn't let you pause for breath. They're a collection of tracks that'll leave an atomic bomb sized impression inside the community, which further solidifies his reputation as an ever- growing, unstoppable goliath.

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Sub Focus 'X-Ray' (Metrik Remix)

RAM25 - The Album - Out Now
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Standing as one of the most resounding electronic music labels in history, Ram Records has finally hit its 25-year milestone. Established by Andy C and Ant Miles in 1992, the label has boldly placed itself on the forefront since its inception, acting as a foundation for the drum & bass genre and seeing through its development from the very beginning.

Once heralded as a platform for Andy C’s own productions, the imprint expandedmassively, becoming a world-renowned hub for some of the biggest drum & bass artists to ever hit the scene. The label has gone from strength to strength, helping to pedestal house-hold names such as Chase & Status, Sub Focus and Wilkinson.From the charts to the radio airwaves, they’ve continued their crossover success.Receiving daytime airplay and top ten positions unceasingly over the last decade, the producers have enabled Ram’s influence to seep into every corner of dance music.

Alongside support from BMG and current label manager Jim Gash, 2017 has seen Ram Records ascend to new heights. And to celebrate their twenty fifth year, Ram will be rereleasing twenty five original remastered classics from their definitive back catalogue as well as seventeen remixes, including reworks from Chase & Status, Killbox, DC Breaks, Frankee, Total Science, Benny L, Kasra and Enei, Ant Miles and Shimon, Bladerunner, DJ Marky Calyx & Teebee, Sound in Noise and Metrik. All in, it’s Ram’s most ambitious project to date.

The 25th year of Ram’s history is looking to be its most memorable yet. Both musically and through their major city UK tour dates, Ram’s versatile roster is still being pushed to new borders. Quarter of a century on and the record label is as strong as ever.

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Racking up years of experience within the dance music world, Hamilton returns with yet another single that represents a step closer to his 22 LP on Ram Records. The producer has been signed exclusively since he first sent his demo to Ram HQ, slowly expanding his back catalogue and helping define the twenty-five years of history Ram has built up alongside its roster. Having crafted reworks for the likes of Enter Shikari and Tanikia, Hamilton’s influence has spread throughout the scene and this will continue following his albums release with its crossover electronic appeal.
Hamilton once again channels his experience of working in a varied list of sub genres to bring you Making Noise and Burn it Again. Both tracks help to draw together the old-school elements which rose him to prominence, as well as the more contemporary sounds which have enabled him to maintain his profile. Making Noise is a return to the signature which made his presence behind the decks so notorious. An avid DJ as well as producer, Hamilton creates another sonic call to arms which drives forward on a snapping bassline and breaks which fall together brutally. Crunching LFO takes over the mix, beckoning a track that’s unafraid to throw its punches.
Next up, Burn it Again takes on a much deeper vibe, bringing the bass levels to subterranean levels and allowing them to drown beneath cutting beats. Hamilton demonstrates his unbridled ferocity, proving that despite flirting with more vocal focused remixes and records in the past, he’s still able to tap into the spectrum’s darker shades. Time and time again he delivers nastier slices of music, demonstrating why he’s managed to stay at the top of his game throughout the last two decades. With his album quickly approaching, this year is going to be just as defining for the producer.


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RAM's Drum & Bass Annual 2016 - watch/listen here! http://vid.io/xoko
Bensley - Cold Storage - Out Now - http://po.st/NxtGenLPiT

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With Zane Lowe pedestalling the first glimpse into Bensley's diverse soundscape, 'Fandango' was a precursor for this forthcoming debut. 'Next Generation' is a bold move; with drum & bass being a genre which has certainly stood the test of time, newcomers have incredibly big shoes to fill. However, Bensley incorporates an innovative and incredibly intricate set of production skills to hold a title of his own.
But what can you expect from an artist who was signed after sending a single demo to revered label head Andy C. That's despite having no previous releases or having any other music available to stream online. He was somewhat of a mystery.
'Fandango' was that track. And it was premiered as a world exclusive on leading tastemaker Radio1, which followed with support from the likes of Mistajam on 1xtra, as well as DJs on both Kiss and XFM.
Already demonstrating his widespread appeal with just one track, his air of mystery is now about to be broken. He's definitely an anomaly; being only nineteen and having impressed so many people.
'Next Generation' is a 10-track journey through an impressively diverse soundscape. Whether it's half-time breakdowns or the incorporation if cross genre-pollination it shows an astounding ability which will not go unrecognised.
From the opening bars of 'Wildfire', to the softly spoken pads and atmospheric note arpeggios of 'Rain Dance', then wrapped up by aptly named closing track 'Aftermath', there's no denying Bensley's masterful artistry.
Title-track 'Next Generation' leads you by the hand with snippets of humanistic sample, flowing in and out of its construct. It's built upon by striking note progressions, a relaying of patterns which chop and change the mix. Carefully placed subs add impact, with emphasis given on each break, carrying the track forward down a steep drop with each slab of bass.
Drawing together a dizzying and fresh array of new sounds, this album indicates why Bensley is a forerunner within the new generation of music comers. Its representative of the fast paced technological setting of music production he grew up around; it also proves that Bensley is able to tap into dimensions which are often unheard of in other bodies of work.


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Sub Focus - 'Last Jungle' (Camo & Krooked & Mefjus Remix)
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Global dance music star Sub Focus has released his long-awaited remix album Reworks I.

A ten-track release, Reworks I is made up of remixes from some of the most talented artists in D&B. Kicking things off are three tracks that have recently been released as singles. First is fellow scene titan Wilkinson’s anthemic reimagining of Sub Focus’ early classic ‘Rock It’. The fast-rising Dimension then takes on ‘Timewarp’, an inspired fusion of psy-trance and D&B that’s characterised by pummelling beats and euphoric breakdowns, before seminal D&B head Culture Shock delivers a pulsating remix of the game-changing ‘Airplane’ which accentuates the infectious melody and vocal sample from the original.

Further highlights include new-school D&B duo Pola & Bryson’s stunning melodic take on ‘Follow The Light’, tech trio Data 3’s electro-inspired ‘Deep Space’ rework, Sub Focus’ own 2021 flip of his house classic ‘Could This Be Real’, before things are closed out with Metrik’s atmospheric remix of ‘X-Ray’.

One of the leading names in dance music, Sub Focus remains an influential figure in the D&B scene. Having originally made a name for himself on Ram Records in the late noughties with the iconic tracks getting the remix treatment on this LP, he went on to release multiple chart-topping singles and albums on major labels Mercury, Virgin and EMI, being awarded multiple gold and silver discs by OCC in the process.

He’s since become an international headline act performing at the likes of Glastonbury, EDC, Warehouse Project, and having sold out Brixton Academy and Printworks London as a solo act. More recently he joined forces with fellow D&B big hitter Wilkinson on their acclaimed collaborative album Portals in 2020, as well as remixing Rag’n’Bone Man and Camelphat at the start of the year.
Reworks I sees the defining D&B artist of the 21st century receiving remix treatment from some of his most talented friends and contemporaries.
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Culture Shock - The Bypass début RAM Records release came as part of Dimensions 2 EP released in 2006.

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with a keen eye will already know Mind Vortex from their tracks 'Onslaught' and 'Generator' which featured on the 'Nightlife 5' EP and the 'RAMM100' digital album / limited edition vinyl promo respectively. Now it's time for the Norwich-based duo to release their debut Ram single.


Fans of Mind Vortex' harder side get exactly what they've been waiting for as 'Hotbox' tears the club a new one with grinding bassline combinations and rib-snapping beats. An epic build up with infectious synth hooks draws you in before a jaw-dropping wall of sound smashes your senses halfway across the club. Don't stop to pick your jaw up off the floor though, there's plenty of intense D&B still left to go as 'Hotbox' breaks down and comes back with more force than ever.

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Mob Tactics
‘Dreamworld / Convoy’
Released 31st August
Ram Records
RAMM331

Mob Tactics are no strangers to the Ram Records discography. Having already been brought on board for Andy C’s ‘Nightlife 6’ instalment and Audio’s seminal ‘Ramlife’ compilation, with their exclusives ‘Wolf Trap’ and ‘Frenzy’, they’re set to return although this time they’re offering a standalone single on the imprint. ‘Dreamworld’ and ‘Convoy’ highlight how Mob Tactics appeared on Ram’s radar; primarily because of their dancefloor appeal and indisputable production levels. The duo have become a formidable part of drum & bass sets across the global circuit and with a single on Ram within their reach, they’re looking to reinforce their stronghold.

This two-track release gives different insights into the skills Mob Tactics have at their disposal. Explosive, yet still crafted with the upmost precision, both ‘Dreamworld’ and ‘Convoy’ are intrinsically underground whilst adhering to Ram’s high-reaching standards. ‘Dreamworld’ begins as you’d expect from a Mob Tactics record – with its crashing percussive breaks and zipping, heavyweight bassline, the track’s weightiness becomes apparent between each refined layer. Next, you’re introduced to ‘Convoy’, which differs from its forerunner through its use of synth and more uplifting undertones. The range offered up on each track shows how Mob Tactics have continued to test their limits, which is why they’re a perfect addition to the Ram Records catalogue.

2018 has seen many artists make guest appearances within the label’s roster and Mob Tactics make a welcome return. Ram still dominates the scene twenty five years on from its inception.



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We caught up with the three members of RAM Trilogy, Andy C, Shimon and Ant Miles to talk through the process behind compiling the remixes on the Revolutions LP, and the differences between the music now and when they first formed in the mid-nineties.
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Millbrook - 'You & Me' (ft. Selin) - Official Lyric Video

With a host of five-star support from across the scene, Millbrook’s Ram Records debut ‘Holding On’ ft. Eviya has positioned him as one of the most exciting names currently coming through the label's camp. His forthcoming record ‘You & Me’, alongside the vocals of Selin, is also about to be just as pivotal and with names like Radio 1, Kiss FM and George FM already spearheading his Ram Records journey, the Berlin based producer is about to prove his weight once again.Through the soaring vocals of Selin and its summer-filled percussive chimes, ‘You & Me’ sets the listener up for the warmer months ahead. It adds another building-block to Millbrook’s burgeoning career and demonstrates there’s yet more to come from the stellar talent. And he proves the perfect addition to Ram's historic catalogue.
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Sound In Noise – ‘Shapes Pt.1’
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So far 2019 has seen RAM come out of the blocks with some amazing music and adding to that is the return of Sound In Noise. Delivering the first in a series of releases culminating into an album, Sound In Noise presents ‘Shapes Pt.1’.

From the dark, rattling march of ‘Cowards,’ (a track subject to three rewinds from Andy C at XOYO), with its echoes of his remix of Fresh’s ‘The Gatekeeper’, to the disco funk vibes of ‘Deep Inside’ and the dramatic ‘One By One’ featuring Marianna Ray, ‘Shapes Pt.1’ highlights Sound In Noise’s ability to turn his hand to any style in the drum & bass spectrum with spectacular ease.

An appetite wetter for more forthcoming music; be sure to keep your ears open for what else Sound In Noise has in store - ‘Shapes Pt.1’ is just the start.
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The Ram Records 2017 Drum & Bass Annual doesn’t just stand as a testament to the imprint. After working over two decades within the genre, standing at its forefront and delivering piece after piece of ground-breaking dance music, they’re immortalising their twenty fifth anniversary with the biggest drum & bass compilation to be released since the label’s inception. Featuring a massive 60 tracks, with every name who’s trail-blazed this year’s must have releases, prepare to be thrown into the world of drum & bass like never before.
With cuts from head honcho Andy C, as well as Symmetry’s underground boss Break, neuro pioneers Noisia and break through artists such as Urbandawn, Voltage and many more, this LP caters to a range of palettes. A huge spectrum of sound is covered by the album, giving a glimpse into every corner of the genre’s entirety and delivering the finest cuts seen over the past twelve months. Whether it’s The Prototypes’ ‘Rocket Guns Blazing’, which detonated festival stages globally, or Wilkson’s dancefloor radio hit ‘Sweet Lies’, no stone goes unturned.
You’re also introduced to a wide range of remixes; producer’s who’ve already established their sound rework some of dance music’s most well-known anthems. Dimension’s twist on Deadmau5’s ‘Strobe’ was a heavily sought after record, with cyberspace counting down the days until its release. Nestling itself in the track listing alongside Shy FX’s summertime remix of ‘Stay with Me’, as well as Etherwood’s beautifully revised version of Gorgon City & Mnek’s chart topper ‘Ready for Your Love’, you’re given a glimpse into the industry drum & bass reign supreme over.
Brand new sonic artwork such as Bad Company UK’s ‘Nomad’ also makes the cut, epitomising the signings which Ram Records have embarked on this year. The roster is now packed with the likes of Bad Company UK, a quartet who’ve set a precedent and released a number of genre-defining records. Camo & Krooked also bring their Ram offering ‘If I Could’, following the recent announcement that they’ll be releasing their next LP on Ram.
Sixty tracks for you to indulge in and sixty tracks to remind yourself of how strong drum & bass still is in 2017. A must have for not only drum & bass fans, but music listeners alike, it’s a reflection of what both Ram has done for the genre, as well as the milestones drum & bass has hit over the last twelve months.

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The waiting is finally over… We're about to unleash your soundtrack for the next Music week in Miami and it's packed full of exclusives. With no less than 28 brand new cuts accompanying you onto one of the world's hottests beaches, prepare for the smooth riding riddims of Ram Records to envelop the US and beyond.

From label stalwarts Delta Heavy, to new signees Teddy Killerz and championed guests Gerra & Stone, there's a musical taste to suit every palette. Whether it's from a renowned roster artist or a relative newcomer, this compilation bursting with heaps of exclusives is the only way to launch you headfirst into the innovation drum & bass is renowned for.

Carefully finessing this album, the Ram imprint is about to drum & bass for a transatlantic journey. It's a showcase of what the genre can offer… electric vibes which pulses through its veins and cherished memories of a tempo which pulls you into the morning's early hours.

But with the Miami conference pedestalling every major genre which has made electronic music so popular, there would be a void if Ram didn't step up. And as one of the most withstanding labels from the last two decades, they've delivered with immense style. You're provided with a host of smooth basslines and hotly tantalising vocals to take you from pool-party to clubs at some of the most renowned districts.

Audio is first to deliver, crashing in at full speed and leaving no survivors with the tear out anthem which is 'Combust'. Then taking you into a web of technicality and meticulous composition is Calyx & Teebee's 'Wipe Out'. There are also a huge selection of Vips to firmly solidify why it's important to revisit tunes which are still to this day so highly sought after; leading the way is Loadstar's 'Under Pressure' Vip, which set a stunning precedent in 2014.

So, now it's time take the legacy of Hornchurch to Miami and lay down the same roots which are still prevalent throughout the UK today. And adding that to Miami's reputation, it's a match which is set to make history.


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DC Breaks - 'Day Of The Dead'

With a 15-year long journey, DC Breaks premiere their brand new XV project in its entirety, wrapping together a decade and a half's work alongside longtime collaborators and fresh sounds from the duo. A staple of the Ram Records moniker, the pair have become synonymous with dancefloor drum & bass, continually wracking up tastemaker support across press and radio, as well as artists throughout every corner of the dance music genre. Whether it is spins on Annie Mac’s flagship Radio 1 show, or hundreds of thousands of plays on UKF’s YouTube channel, they are a production outfit which has broken ground throughout their careers.

After already teasing a host of singles across 2020, which have included ‘Back For More’, ‘Club Thug’, ‘We Never Slow Down’ ft. Eva Lazarus and ‘Raise the Bar’ alongside the lyrical prowess of MC Coppa, there’s also a huge sum of new music about to be unleashed.

Each new selection showcases the breadth of styles which DC Breaks have covered throughout the years. It’s the perfect way for DC Breaks to draw towards another ten years in the game. And it underlines why they’re still a defining force within the larger drum & bass ecosystem for 2021.

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Impish
Take Back / Lazy Sundayz feat. Shawn Sanderson & Squarewave
PRGRAM089
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Moscow born artist Impish has used his influences of funk, rock and heavy metal to produce music which saw him signed to the Program imprint, the sister-label of esteemed Ram Records. An avid vinyl collector, he’s channelled his love for electronic music into his work and this was first noticed by Program through the singing of double-sided single ‘Burning / Leave Me’. With support from DJ Marky, DJ Hype, Spectrasoul and Technimatic, he’s now capitalised on this success for another forthcoming single on Program, which comes in the form of ‘Take Back’ and ‘Lazy Sundayz’.
 
‘Take Back’ is given its hook through singing female vocals and a bass melody lead, whilst ‘Lazy Sundayz’ features Shawn Sanderson and Squarewave for a summertime heavy hitter. They're two more feel-good tracks from Impish, proving that once again it's time to get with the Program, now taking you through the warmer seasons.

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RAM's Drum & Bass Annual 2016 - watch/listen here! http://vid.io/xoko
Stealth & Xtrah Everytime- Out Now - http://po.st/AllianceBP

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With each release, Stealth has slowly made his presence known within your musical subconscious. Taking hold of every synapse with drops of LFO induced devastation he's now merged with the other figureheads of a dnb underworld to bring you his 'Alliance EP'. And believe us when we say, this is one not to miss.
Already firmly asserting himself amongst the Program roster, his meticulously crafted cuts have helped push the imprint as an underground tastemaker. And the unstoppable partnership is back, with a gritty and technically adept EP… Proving once again they're a force to be reckoned with.
Then we're introduced to Stealth & Xtrah's 'Everytime'. As you'd expect, this track is totally different from its predecessor, although it's just as precisely orchestrated. Pushed forward by domineering drum loops, Stealth's style oozes in between each bar; it's a frequency that drops dangerously low. Wraith-like vocals dip in and out of the record's stockier elements, with a juxtaposition which is tasteful whilst still making an impact.


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