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DJ Food - Dark Lady (Alix Perez Remix) Full Length

0 Views· 04 Jul 2022
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DJ FOOD ( http://www.djfood.org/djfood/discography )

Originally produced by Coldcut on the ninja tune independent record label, the DJ Food project started in 1990 on the premise of providing metaphorical "food for DJs". DJ Food released the Jazz Brakes series, with Jazz Brakes Volume 3 being the most successful. The records consisted of collections of breaks, loops and samples, ideal for mixing, remixing and producing the trademark ninja tune blend of jazz & hip hop.

Volumes 4 and 5 of the Jazz Brakes series, co-created with DJ / producer PC transcend the breakbeat compilation format to stand as artist albums in their own right. The later DJ Food albums have developed with shades of latin, dub, techno, ambient, and jungle flavouring the funk.

The 1995 album, A Recipe for Disaster was a conscious move away from the Jazz Brakes volumes to form more of an identity as an artist, and a remix album of tracks from all 6 LPs, entitled Refried Food was released the following year. Their last release, Kaleidoscope, featured guest artists including Bundy K. Brown (formerly of Tortoise, Directions In Music, Pullman) and voiceover artist and jazz poet, Ken Nordine).

With a seemingly single DJ name, it is often wrongly assumed that DJ Food is single person. In fact, a whole host of DJs, producers and musicians have performed under the name, so the evolutionary nature of the DJ Food sound comes as no surprise. Matt Black and Jonathan More (aka Coldcut) were responsible for starting Jazz Brakes series in the early 90s. Along the way they met Patrick Carpenter, who, being listed on the liner notes simply by his initials, was often mistakenly thought to be a Personal computer. A loose collaborative team began to form as more like-minded people arrived at the party, including Paul Brook, Paul Rabiger, Strictly Kev and Issac Elliston.

Although keeping their hand in as DJs on the albums, Matt & Jon couldn't perform DJ sets twice in one night under both aliases of Coldcut & DJ Food, so they handed the mantle of live DJing over to PC and Strictly Kev. Later, PC became so busy with The Cinematic Orchestra that he decided to quit, at least temporarily leaving DJ Food as a Strictly Kev solo project.

In addition to The Cinematic Orchestra, PC also recorded with J. Swinscoe under the band name Neptune. Strictly Kev has recorded under the name Flexus.

ALIX PEREZ ( http://www.myspace.com/alixperez )

North London based DJ/producer Alix Perez is one of the strongest young producers in the Drum and Bass scene and undoubtedly one of its most prolific up and coming DJs. Already with a number of releases on established labels such as Shogun Audio, Liquid V, Bassbin, Creative Source, Horizons, Progress, Brigand and Fokuz, there aren't many drum and bass DJs on the circuit without a Perez tune in their bag.

Originally from Belgium, Drum and Bass comes naturally to 22-year-old Alix, who has immersed himself in music from an early age. Alix started to DJ at the age of 14 and progressed into production at 17, collaborating with other hotly tipped artists such as Jenna G, Redeyes, Sabre, MC Fats, Spectrasoul and Specific.

With regular appearances at Fabio's legendary "Swerve" night and Bar Rumba's well-respected "Movement" weekly, Alix is also receiving bookings worldwide from Paris to Toronto. With his smooth yet sophisticated selection, drawing for all the latest dubs, he does not fail as a DJ. Alix also has numerous tracks play-listed on BBC 1Xtra and receives heavy support from respected players within the scene: from Bukem to Bailey, he has been repped as "the one to watch" and "representing the future of Drum and Bass."

Alix has recently been featured on the front cover of ATM Magazine as one of the "leaders of the nu-skool" and has had a variety of press across worldwide dance magazines; he has also been nominated for two awards as Breakthrough DJ and Breakthrough Producer of the year at the BBC 1Xtra Bass Awards. It goes without saying that his strong exposure and reputation for putting the soul back into drum and bass is well-earned.

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